«Initially, my work was built around childhood ; I imagine my objects with memories, images from that period. Clay is for me the bridge between a symbolic world and our contemporary universe. It offers the plasticity between the useful and the useless and reveals the link between the imaginary and the concrete. My work of utilitarian pieces was developed by diverting the traditional gestures of pottery (turning, casting…) to replace them with «more playful» gestures : cutting, gluing, assembling. From these gestures result from my forms and their aesthetics; oscillating between imitation and personal construction. The same is true of the decor that seeks to transform it into painting, coloring or «smearing». »